You wrote back in 2002:
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Songs about Roland were transmitted first by the jongleurs, traveling minstrels. If we follow the above logic, then the results of this transmission ? the comic-epic poems of the Italian Renaissance, the Sicilian puppet theatre, the recreation of Roland as fanatical religious martyr in Germany and as Civil War Hero in the U.S. ? do not matter. What matters is the transmission itself, and possibly the vehicles of the transmission.
I’m most interested in the echo aspect. Echo is not the exact repetition of a sound; it is the original sound, modified. The precise way in which it is modified is directly dependent on immediate surroundings. The precise ways in which Roland is modified are a direct result of the cultural exigencies of the time. So, changes in cultures across geographical and temporal space may be inferred from a close look at the mutations Roland’s character and his stories continue to undergo.
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Good luck with your own set of modifications on the very sounds you produced a while ago, all the best with the amplification of signal.
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