Drucker on visualizing interpretation.
Johanna Drucker is a professor of media studies, and a founding member of UVA’s Speculative Computing Lab. The full title of her keynote is “Graphic conventions: visualizing knowledge and subjectivity.”
Can we shift from information to interpretation, and shift [back] to a more humanistic point of view within digital humanities? To do that, we have to re-introduce subjectivity, and maybe substitute the mechanistic with the probabilistic (the latter being humanists’ worldview, according to JD).
Visual information conveys information in a form that makes it very hard to analyze systematically. Two ways to create stable knowledge in a notation system: one is with [natural] language, the other – mathematical notation, said Rene Toms of the Oulipo. He never did talk about visual representation, and with good reason: it’s an unstable notation mode.
Subjectivity comes in two forms: position (structural) or inflection (semantic).
The notion of information comes from a particular set of assumptions of what knowledge is. JD not interested of getting rid of this model of knowledge; but rather to propose another model of knowledge.
Visualization is compact, the problem isn’t having enough space to represent information – it’s pinning down the exact nature of the information and our assumptions about its aspects.
Visual information (VI) can lie or misinform, like natural language can.
The silliness of chunking of processes (how authors write stories: “author thinks about a topic” –> “author sketches an outline” –> “author reviews the sketch”) is apparent, but we have to do this sort of chunking when we’re working in a computational environment, which requires discrete units. Because of schematics’ rhetorical power, we eventually come to believe them.
So what about text visualization (as opposed to data visualization above)? Interest in doing things to and with texts is very active, especially within the creative-writing communities. Like TextArc, that sort of thing. They can be silly, ugly, destructive of the original, and yet they have their uses.
Edward Tufte, the exquisite engineer according to JD: information pre-exists visualization. Visualizations can be transparent enough to get us access to information. JD disagrees: visualizations are interpretive, opaque, distortive. They create informmation.
Temporal modeling at SpecLab. Basic assumption: timelines as they are conventionally defined and designed come out of the empirical/natural sciences. Assumptions there: time is unilinear; time is homogeneous (metric is stable); time is continuous (no unbroken intervals in temporality). None of these three things hold. Temporality branches in our lives, in poetry/film/etc. Time is not homogeneous – some moments fly by, others are long (the moment before the kiss and the moment after are very different, JD says). Time is not continous, either: there are breaks/ruptures, recorded in historical accounts for example.
SpecLab constructed a grammar of inflections, of visual elements they’d use to represent time, types of events and their relations to each other. There’s a lot of information JD is giving about what SpecLab has been doing; I’ll point you to the Lab’s site instead of summarizing.
In the IVANHOE game, every action takes place from within a role. Each role has a set of assumptions that go with it. They employed it as a teaching tool at UVA, with the purpose of showing that, in fact, every action stems from a set of presuppositions. [vz: that can't be right, I've captured too simplistic a description. Go see the site for more.]
Subjective meteorology: JD’s current project. An art project, which JD says – duh, art is in the humanities. [vz: yay!] She charted and graphed and visually represented a bunch of weather patterns – lines of anxiety/anticipation, storms of anger – which look gorgeous on the slides but don’t seem to be on the web. These representations can be chained together and animated to playfully and visually represent one’s subjective perceptions of the world around.
Great discussion follows. I can’t pretend to capture it well enough; I’ll post an update when the keynote webcasts are up, and urge anyone interested to watch this one when it’s available.
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